*NEW/Old* fanpic of Robert Pattinson, at the Eclipse Premiere....

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source: FB: savanna.wooten.90 / Diario Twilight via Pattinson World

*VIDEO* Robert Pattinson's itv with Movie Juice (Alicia Malone)...

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Ooh... I want to see "Cosmopolis" again......... 
kinda missing Eric....

source: @veronicaspuffy / lasagarobsten via Pattinson World
youtube: mnctventertainment

*REVIEWS* on "Cosmopolis" and Robert Pattinson...

SCAN of "Nylon Magazine" ...

click to read...!



source: @lacesy| Gossip Dance via ToR

Robert Pattinson will be on "Good Morning America"... on 15th August...

hé hé... U.S "Cosmopolis" promo is starting...!!

honestly... we don't know exactly what it will be about, or if it will be tapped or live... but, with the date and so on... it will be probably some Press Junket interview, about "Cosmopolis"... but hé, my POV...!

Anyway... nice teasing...

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ok... so apparently... it will be LIVE....!!

I only hope they will go easy on him....!
but I feel right now, so proud of him, doing all this promo despite what happened...

source: @Rob Pattinson News ‏@RobPattzNews
youtube: RobPattzNews

More Pics of Robert Pattinson's "Cosmopolis" Promo Photohoot...

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source: eOneFilms / Robert Pattinson News / RPL via ToR

*UPDATED* Info about Robert Pattinson's Times Talk Q&A... in New York... on the 15th August...

with David Cronenberg...

The New York Times sent an update earlier today to those attending the TimesTalks Q&A with Rob and David Cronenberg on August 15th

Dear Friend of The New York Times:

Thank you for purchasing a ticket(s) to the August 15 TimesTalks with David Cronenberg and Robert Pattinson. At this time, we would like to remind you of our standard event policies:

• Camping outside the venue overnight is not permitted. The area outside The TimesCenter is private property and building security will remove anyone who remains overnight on the property.

• The doors to the lobby of The TimesCenter will open early for this event, at 4pm, and patrons may queue up at this time. We encourage you to arrive no earlier than 4pm.

• Doors to the theater will open at 6pm. Only ticketed patrons will have access to the lobby and theater of The TimesCenter.

• Any photography, video and/or audio recording are strictly prohibited in the theater.Violators may be subject to removal.

• This event is being filmed and Webcast live on new.livestream.com/nytimes. 

• Video of the event will be available on demand, also at new.livestream.com/nytimes.

We will not have a live audience Q&A for this event. 

We are, however, accepting questions in advance. Our moderator will choose a select number of these questions to read to Mr. Cronenberg and Mr. Pattinson during the interview. If you wish to submit a question for consideration, please email TimesTalks@nytimes.com and please include your name and location.

source: FB: The Pattinson Profile via RPL

*NEW/Old* Interview of David Cronenberg with "Time Out Sidney"...

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from Time Out Sidney:

At 69, Canadian director David Cronenberg is more prolific and respectable than ever. But from the venereal turd-creatures of 1975’s Shivers to Eric Packer, the dead-eyed capitalist played by Robert Pattinson in his adaptation of Don DeLillo’s novel Cosmopolis, Cronenberg’s intelligence, integrity and clinical insight into human psychology have never been in doubt. As the one-time Baron of Blood becomes a pillar of the filmmaking establishment, we find out that, although his subjects may have changed, Cronenberg’s passion remains undimmed. 

David, Cosmopolis is the first screenplay you’ve written in more than a decade. Why adapt this book?It’s a matter of intuition. I needed to write the screenplay to know if this book would work as a movie. It hadn’t occurred to me at the time that nobody had managed to make a DeLillo book into a movie. Lots of them have been optioned, but nothing’s really happened. So that pleased me, to be the first to unleash Don’s dialogue on the world. That stylised dialogue established the template for everything, including the visuals. 

You seem to be comfortable writing any kind of dialogue, from the romantic melodrama of The Fly to the dark comedy of Crash and the strange theatricality here.Well, Cosmopolis is a funny movie too, even though it’s a very strange, dark humour. But although it’s different from film to film, the dialogue is always given a lot of care. Even in my early films like Shivers, the dialogue is pretty eccentric. It’s not normal low-budget horror film dialogue, which tends to be banal and realistic. There’s always been a stylised element to it. I enjoy that. To me, dialogue is cinema. 

Does it frustrate you when critics accuse your recent films of being talky, as if your early work was somehow different?It’s inevitably a little frustrating. You feel that they haven’t been paying attention. A casual filmgoer is forgiven, they’re allowed to be careless. You pay your money, you can pay as little attention as you want. But for a film journalist, it’s not very professional to drop that ball. 

Many would say that the David Cronenberg of today is unrecognisable from the man who made Shivers and The Fly. Do you feel like the same filmmaker?I do feel like the same director, though more mature and more confident in my filmmaking. But I’ve done certain things and I don’t feel the need to do them again. I don’t mean that in terms of genre. I don’t think: I must never do another horror film because I’m a more established artist. I wouldn’t hesitate to do another horror film if it was interesting enough. But a lot of the things proposed to me are so influenced by my earlier work that it would feel like a remake. In fact, remakes of most of my movies have been suggested. That’s not gonna happen. But I haven’t turned my back on genre filmmaking, it’s just that I don’t want to bore myself. 

Is it fair to say that Cosmopolis is more interested in mood and tone than in logic or narrative?I’m glad to hear you say that! People who are used to Hollywood movies where everything is explained may be frustrated. There’s no way anybody can follow some of the things Samantha Morton’s character says, for instance. At least not the first time. I think of it like a sci-fi movie where the intergalactic pilot is explaining the way his spaceship works. You don’t need to know what he’s talking about, you just need to believe that he knows what he’s talking about. Eric Packer understands when his Chief of Theory is explaining how the future connects with capitalism. It excites him, and that’s all you need to know. 

What do you think about Eric Packer – and is it important to like your central character?I think it’s important to feel empathy, not necessarily sympathy. You need to have some understanding of him, but it doesn’t mean you have to like him. You need to be fascinated enough to stay with him throughout the movie. Which is why you need a charismatic actor like Rob, who has a face you want to keep looking at. 

Does casting a star like Robert Pattinson have any significance for you, beyond the fact that he’s right for the role?No. It’s similar to when I cast Viggo [Mortensen, in Eastern Promises]. It’s important for the financing. If Rob hadn’t been famous from Twilight, I couldn’t have had him in the movie. But for me creatively, that means nothing. Once you’re on the set, it’s just you guys. There’s no one else there. It’s as if he never made another movie and I never made another movie. 

Do you like the idea that Twi-hards might have their horizons widened by Cosmopolis?I do. A lot of girls who are fans of Rob’s have created Cosmopolis websites, and some of them are really elaborate and beautiful. And they’re reading the book and talking about it. They know it isn’t Twilight and they’re still excited. We had some girls standing outside at 3am while we were shooting. They’d made a T-shirt that said “Nancy Babich” and had a pistol on it [a reference to Pattinson’s bodyguard]. So I happily wore that for them! Undoubtedly there will be some Rob fans who’ve never heard of Don DeLillo, or me, who will see this movie. It’s not the cake, but it’s the icing on it.

source: TimeOut / Gossip Dance / @Mel452 via ToR